Iranian traditional architecture has taught us how to create spaces safe, flexible, and responsive to the needs of residents. And modern architecture has taught us to eliminate unnecessary elements of architecture and not that of lifestyle. It also lets us add something to the form wherever it is necessary for the residents’ lifestyle.
The boundary of the adjacent buildings is such that in its western side, according to the city laws and regulations, the building has a 45-degree fillet, and the front of the building on the east, is 10 meters behind, due to the expansion of its land with a twice in length. It is only south facade of the project that allows in, natural light and provides urban views.
To start a project, creativity and innovation are taken into account both in the designing of the plans and in the application of the materials and the technology related to –albeit with considering economic and executive constraints. The influential factors involved in the design of this project, including the dominant sunshine and disturbing rain and street noise pollution, have shaped the form of this statue, along with the beautiful landscape of Nahar-khoran forests and municipal regulations and requests of the employer.
[A brief explanation]
n many cases there are not few information about the buildings details such as name of Architect and any other technical information. so this is an approach to find out Iranian modern Architecture around of Iran by volunteering free photography.
Buildings are mainly constructed from 1900 - 1980.
فرزاد ابراهیم نیا
فارغ التحصیل رشته مهندسی معماری - عکاس
- عکس منتخب اولین همایش بین المللی مقاله نویسی توسط قطب علمی معماری دانشگاه تهران
- 1394 کارآموز شرکت معماری دانش بنیان توپاز
- 1395 تکنسین شرکت مشاورفلات گستر سهند
- طراح دفتر فنی مهندسی عارف آرک تبریز
-همکاری با موسسه علمی تحقیقاتی فیروزه تبریز
- علاقمند به پژوهش و مقاله نویسی در زمینه معماری ایرانی
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